Single Again Lyrics by Josh Ross
I know I shouldn’t say what’s up
I heard you went and met someone
But I’ve got a little cold beer buzz
And he ain’t here right now
I bet you if I took your hand
And we had a neon night slow dance
You’d be getting to forgetting all about him
And you’d be walking out of here without him
When you’re single again
And you’re thinking of me
Ya know, I got that same ole Tennessee
615 that you used to hit up
Half past where you at pick me up
When you’re all over him
I hope you’re all over me
I got a king-size bed
Just missing a Queen
Make me your first call after your last call with him
And you won’t ever be single again
I got a cabernet with your name on it
A Slow drive on a Sunday, you can count on it
I’ll treat you better than he ever did
Girl, when we’re together, you won’t ever wish
If you’re single again
And you’re thinking of me
Ya know, I got that same ole Tennessee
615 that you used to hit up
Half past where you at pick me up
When you’re all over him
I hope you’re all over me
I got a king-size bed
Just missing a Queen
Make me your first call after your last call with him
And you won’t ever be single again
Oh, single again
Single again
When you’re single again
And you’re thinking of me
Ya know, I got that same ole Tennessee
615 that you used to hit up
Half past where you at pick me up
When you’re all over him
I hope you’re all over me
I got a king-size bed
Just missing a Queen
Make me your first call after your last call with him
And you won’t ever be single again
Oh, single again
Single again
Single again
Album
Later Tonight Tracklist
- Later Tonight: A futile attempt to drown out a persistent heartache through fleeting distractions, only to have the memory resurface in solitude.
- Hate How You Look: A visceral lament over an ex-lover's effortless and alluring public display of moving on, which painfully contrasts with the narrator's inner turmoil.
- My Side Of Town: The bitter experience of being ostracized within one's own community after a breakup, due to the ex-partner's damaging and one-sided narrative.
- Smith & Wesson: A metaphorical gunshot of heartbreak, where a woman's devastating departure is likened to a precise and irreversible bullet wound.
- Leave Me Too: A self-aware admission of causing such profound pain that the only logical course of action, if roles were reversed, would be to leave without looking back.
- Half Lit: A cyclical and unresolved relationship that perpetually exists in a state of half-hearted connection, neither fully extinguished nor properly rekindled.
- Mad At Me: A defiant accusation that an ex's new relationship is merely a vengeful charade, fueled by lingering anger rather than genuine affection.
- Break My Heart In Two: The painful cycle of repeatedly allowing oneself to be emotionally shattered by a partner who intermittently returns only to cause more heartbreak.
- Whiskey You: A rueful personification of whiskey as the destructive force behind regrettable actions and emotional turmoil following a breakup.
- Single Again: A confident and opportunistic proposition to rekindle a romance the moment the ex becomes single again, promising a better love.
- Songs You Gave Me: The poignant irony of achieving musical success with songs inspired by a lost love, now performed with heartbreak instead of joy.
- Namin' Names: The torment of hearing vague but familiar rumors about an ex moving on, sparking jealousy and the painful realization of being replaced.
- Drunk Right Now (Na Na Na): A desperate embrace of intoxication to escape heartache and the pressures of the week, seeking communal solace in a neon-lit bar.
- Nobody From Nowhere: A triumphant reflection on rising from humble origins with determination and little more than faith, defying all expectations.
- Scared Of Getting Sober: The raw fear of sobriety because clarity would force confrontation with the overwhelming grief of a lost love.