Smith & Wesson Lyrics by Josh Ross
It’s 2:00 a.m. on the dash right now
Going through 11:34 upside down
Imagination running like her CJ-7, gonna be the death of me if I let it
Oh, pull the top off the bottle, take a few off the shelf life
Oh, watching her roll out, damn, sure felt like
Shot, shot, straight through the heart
Them taillights fading in the dark
On Michelins, smoking like a 3-57
Blue-eye goodbye, made by Smith & Wesson
A girl like her, she doesn’t miss
Ain’t no coming back from this
Bullet out the barrel, kinda gone she’s getting
Blue-eye goodbye, made by Smith & Wesson
How’s it hurt like hell and I ain’t even bleeding?
If we’re keeping score, nah, we didn’t break even
One more round like it’s gonna get my head right
Watching her leave, damn, sure felt like
Shot, shot, straight through the heart
Them taillights fading in the dark
On Michelins, smoking like a 3-57
Blue-eye goodbye, made by Smith & Wesson
A girl like her, she doesn’t miss
Ain’t no coming back from this
Bullet out the barrel, kinda gone she’s getting
Blue-eye goodbye, made by Smith & Wesson
Made by Smith & Wesson
It’s 2:00 a.m. on the dash right now
Going through 11:34 upside down
Shot, shot, straight through the heart
Them taillights fading in the dark
On Michelins, smoking like a 3-57
Blue-eye goodbye, made by Smith & Wesson
A girl like her, she doesn’t miss
Ain’t no coming back from this
Bullet out the barrel, kinda gone she’s getting
Blue-eye goodbye, made by Smith & Wesson
Mm, made by Smith & Wesson
Made by Smith & Wesson
Album
Later Tonight Tracklist
- Later Tonight: A futile attempt to drown out a persistent heartache through fleeting distractions, only to have the memory resurface in solitude.
- Hate How You Look: A visceral lament over an ex-lover's effortless and alluring public display of moving on, which painfully contrasts with the narrator's inner turmoil.
- My Side Of Town: The bitter experience of being ostracized within one's own community after a breakup, due to the ex-partner's damaging and one-sided narrative.
- Smith & Wesson: A metaphorical gunshot of heartbreak, where a woman's devastating departure is likened to a precise and irreversible bullet wound.
- Leave Me Too: A self-aware admission of causing such profound pain that the only logical course of action, if roles were reversed, would be to leave without looking back.
- Half Lit: A cyclical and unresolved relationship that perpetually exists in a state of half-hearted connection, neither fully extinguished nor properly rekindled.
- Mad At Me: A defiant accusation that an ex's new relationship is merely a vengeful charade, fueled by lingering anger rather than genuine affection.
- Break My Heart In Two: The painful cycle of repeatedly allowing oneself to be emotionally shattered by a partner who intermittently returns only to cause more heartbreak.
- Whiskey You: A rueful personification of whiskey as the destructive force behind regrettable actions and emotional turmoil following a breakup.
- Single Again: A confident and opportunistic proposition to rekindle a romance the moment the ex becomes single again, promising a better love.
- Songs You Gave Me: The poignant irony of achieving musical success with songs inspired by a lost love, now performed with heartbreak instead of joy.
- Namin' Names: The torment of hearing vague but familiar rumors about an ex moving on, sparking jealousy and the painful realization of being replaced.
- Drunk Right Now (Na Na Na): A desperate embrace of intoxication to escape heartache and the pressures of the week, seeking communal solace in a neon-lit bar.
- Nobody From Nowhere: A triumphant reflection on rising from humble origins with determination and little more than faith, defying all expectations.
- Scared Of Getting Sober: The raw fear of sobriety because clarity would force confrontation with the overwhelming grief of a lost love.